PDF Evaluating Creative Works of Adinkra Symbol in Relation to Maslow’s Theory

Abstract

This study employed quantitative method to assess various creative works that utilize Adinkra symbols and find out if the
usage of the symbol is in agreement with Hierarchy of Needs Theory. The objectives of the study are to explore the symbolism
of Adinkra symbols through literature review and to analyse the relationship between the actual philosophical meanings of
Adinkra symbols and the artist’s philosophy behind the use of these symbols. The sampling method used was Stratified
sampling and Random sampling. Sixty (60) creative works were stratified into these strata: Sculpture, Graphic design, Jewelry
and Textile works. Random sampling was also used to sample 15 creative works from the total number of creative works in
each stratum. The data was collected through “Pinterest” (online visual discovery tool). The study found 53% of Adinkra
symbols properly used in relation to the functions of the product. However, 47% of the Adinkra symbols were not in agreement
with the Maslow’s needs. In addition, most of the adinkra symbols used in textiles and jewelry works are basically for aesthetic
purposes irrespective of the meaning of the symbol. The textile products accounted for the highest percentage (55%) of adinkra
symbols that do not conform to Maslow’s Needs.